Palazzo Chigi in Ariccia Comune di Ariccia
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Speculum Dianae Magnificentiae
Etchings and lithographs of Nemi lake from the 1500's to the 1800's
Ariccia, Palazzo Chigi - Piazza di Corte, 14
30 November 2006- 31 January 2007
 
 
(click the photo to enlarge)
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Albert Christoph Dies,
Lago di Nemi
acquaforte, Roma, 1792

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Romeyn de Hooge,
Lacus Aricini Prisca Constitutio,
bulino, Amsterdam, 1671

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Thomas de Thomon,
Lac de Nemi a cote de Gensano,
siteie a six lieues de Roma
,
acquaforte

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Henry Cook,
The Lake of Nemi,
litografia, Londra, 1840

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Henry Cook,
Lake of Nemi,
litografia, Londra, 1840

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Robert Wallis inc.,
Joseph Mallord William Turner pix.,
Nemi,
acquaforte, 1844

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Hippolyte Vanderburch,
Enterremente d'une jeue fille,
litografia, 1835 ca.

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Jean-baptiste Corot,
Lac Nemi,
bulino, Parigi, 1855
The exhibit shows, through etchings and lithographs dating from the Renaissance to the nineteenth century, one of the most important places in the Province of Rome and the Latium Region, Lake Nemi. It is in the heart of the Castelli Romani area, between the territories of Genzano , Nemi, Ariccia, Lanuvio, Velletri and Rocca di Papa.
The main focus of the exhibit is the Bartelli collection, the most important private collection on this theme, which is comprised of roughly 130 prints, which are either etchings, lithographs, or engravings, all having to do with the lake. Along with these prints there is also a series of paintings from the 18th and 19th centuries, which illustrate the very fortunate iconography of this wonderful location in the collective European imagination.
 
The exhibit is curated by Barbara Jatta, The Director of the Vatican Apostolic Library , Print and Drawing Department, and Francesco Petrucci, Curator of the Museum of Chigi Palace in Ariccia, and was made possible by contributions from the Latium Region Social Department - Cultural Activities section, Giuseppe Toniolo Banca di Credito Cooperativo, and is part of the Project for Cultural Enhancement and Development of the Territory "Visual Arts Network" in collaboration with The Vatican Apostolic Library, Print and Drawing Department.
 
 
The Exhibit
For centuries Nemi Lake has been a favorite destination for many painters throughout Europe, who have painted the landscape surrounding it from various angles, sometimes with Ruspoli and Sforza Cesarini Castles in the background. Here in Nemi the two romantic poets, both sublime and picturesque, could co-exist.
The former being expressed by the infinite landscape of the Roman countryside to the sea, with the Pontine islands in the distance, the second by the presence of the picturesque little fortified towns on the hills of Nemi and Genzano.
Among the great artists who immortalized Nemi, besides Turner and Corot, there are also several other English, French, German, Russian, Spanish, and Scandinavian, as well as American painters, whose works can be found in museums all over the world. Nemi Lake in this way has become one of the great icons of the Grand Tour d'Italie, the educational journey to Italy made by artists and intellectuals from all over the world.
 
The lake and the surrounding woods were the place where the goddess Diana Aricina dwelled, according to Roman mythology. In fact on the shores of the lake we find the ruins of the temple dedicated to her, while in the lake itself there were once two large boats belonging to the Emperor Caligula, which were sunken, and then retrieved during Fascism and put on display in nearby museums. From this association with the goddess Diana, the lake earned its name "Speculum Dianae", or "Diana's Mirror".
There is presently an archeological excavation taking place near the ruins of the temple, under the direction of the Latium Superintendence for Archeological Heritage, which also manages the Museum of Roman Ships.
 
Myth and nature, therefore, have created a compelling fascination, which attracted the attention of both poets and writers alike. The English ethnologist James Frezer developed his 12 volumes "Golden Branch", starting from Lake Nemi and its ancient cult. The death of the old priest, challenged to a duel by a young fugitive slave, represented the eternal renewal of nature in a perennial cycle of death and resurrection, as in all the great religions of antiquity. In this way Nemi becomes an emblem of spirituality and myth, almost a myth of myths.
 
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